Tuesday, November 9, 2010

Tourism

Bhaktapur is a popular day-trip destination for tourists visiting Kathmandu. Lately, with more air-pollution in Kathmandu, more tourists are staying in Bhaktapur for a few days, before trekking arrangements are finished. In addition, although the Mount Everest (i.e. Sagarmatha) is breathtaking and the landscape of Lord Buddha (i.e. Founder of Peace) mysterious, tourists visiting Nepal still don't feel their sojourn complete unless they have experienced Bhaktapur, Nepal's ancient "City of Culture".
Pottery is one of the main tourist attractions in Bhaktapur besides the architecture. In Nepal the city is renowned for its yoghurt or curd Ju-Ju Dhau, traditionally sold in clay bowls.
(THE MAIN ATTRACTION OF BHAKTAPUR)
  • Three Squares - Darbar Square, Taumadhi Square, and Dattatreya Square.
  • Popular Places - Changu Narayan (World Heritage Site), Nagarkot, Surya Vinayak, Kamal Vinayak, Siddha Pokhari, Chonga Ganesh etc.
  • Devine Miracolus Vision - Largest Shiva lingum, Golden Spout and Gate, Magnificent peacock windows, around 40 temples etc.

Sunday, September 5, 2010

Bhaktapur Durbar square(introduction)

Bhaktapur is one of the three main cities of Kathmandu Valley. The name of the city is derived from different appellation. During the Lichhavi Period (3rd century – 9 century AD) it was called as Khopring Drang followed by Bhadgaon and Bhaktapur in medieval and modern Nepal respectively. In the vernacular language of Kathmandu Valley the place is known as Khopade and Khopadesa.




In the inscription issued jointly by Shivadeva and Amsuvarma of Sambat 516(594A.D.) the people are addressed to as the inhabitants of Khopring drang, which shows that the name of the place as Khopring drang and this inscription, is located at Golmadhi Tole in present Bhaktapur.The historians have narrated the word Drang as village, and tala as, developed settlement with market area. Therefore, there must have been many villages and settlements in and around the then Kathmandu Valley.

Bhaktapur Durbar Square



The history from 9th to 12th century goes almost blank in Bhaktapur. Gopal Raj Vamsavali and other chronicles credit Anand Deva as the founder of Bhaktapur city in 267N.S. (1197A.D.) and also mentions that he had built a royal palace called Tripura. Although we do not accept this to be fully true, it shows that Anand Deva could have transformed the village Khopring drang into Bhaktapur city. The royal palace of Bhaktapur city is located almost at the centre of the city. Most of the monuments located in and around Bhaktapur Durbar Square were constructed during seventeenth and eighteenth centuries. During early medieval period, the palatial location was called with different names such as Tripura Durbar, Thanthu Rajkula, and Vasantpur Durbar and so on.

55 Windows Palace



Like other royal palaces of the Kathmandu Valley, Bhaktapur Durbar Square is also dotted with many courtyards (chowks), royal buildings, stone spouts and temples dedicated to different Gods and Goddesses and an example of high architectural buildings erected during different centuries by different kings. The Durbar Square, as in the medieval period, did not serve only as the royal residence but also as an administrative centre as well.



Mul Chowk, the main courtyard of the Durbar Square is the oldest part still surviving. The courtyard was made in 1324A.D.



Chyasing Degal



Therefore, in order to write the history of this Durbar, we must peep into the contemporary political situation of the valley.



The important of this city was enhanced from the beginning of the medieval period because it became the royal seal of undivided Nepal during that time.



From the second half of thirteenth century to the early half of fourteen century, Abhaya malla and Rudra Malla were in the throne. During their time, the political situation was in turmoil.



Bhairav Temple



In 1324 Gayasuddin Tughluk of Delhi Sultanate vanquished the state of Simaraungarh and King Harisimha Deva fled to the hills in order to save himself, he died in a place called Tinpatan near Dolakha in route to the Nepal valley. His wife Deval Devi and son Jagat Singh could reach Bhaktapur palace, then called Thanthunim Durbar and got the shelter there as s refugee. They established their tutelary deity “Taleju” brought by them in Bhaktapur Durbar. Because of the entry of Taleju for the first time in Bhaktapur, it remained an important issue among the Malla rulers of the Nepal valley in the days to come. Whether the Tripura palace constructed by Anand Deva and Thanthunim Durbar were the same or different one? And where was that located? And who constructed Thanthunim Durbar? Needs further investigation.



Durga Temple



Sometime, after Deval Devi got refuge in Thanthunim Durbar, the king Rudra Malla died without a male heir apparent in the throne. Therefore, Nayak Devi, the infant daughter of Rudra Malla, was declared as the heir to the throne of Thanthunim, and the queen mother Padumal Devi looked after her and Deval Devi assisted in that situation. Slowly Deval Devi did not lag behind to extend the hand in the politics which led to a short lived political conflict in the palace.



Nayak Devi was married to a prince brought from Baneras for the first time but soon became the widow. Then Deval Devi married her son Jagat Singh to widow Nayak Devi .



Nayatpol Temple



In this way Deval Devi got into the ruling families of Kathmandu Valley. Nayak Devi had delivered a daughter and was named Rajalla Devi who was full claimant of the throne. She was married with Jayasthiti Malla who was brought from outside by Deval Devi, most probably from Tirhut region. Being the husband of Rajalla Devi, Jayasthiti Malla also started to participate in the politics of the country.Being an able and shrewd politician, Jayasthiti Malla could capture all the political power in 1307 AD. And he became the sovereign king of Bhaktapur. During his reign Bhaktapur could achieve allsorts of developments- economic, social and cultural. But it does not seem that Jayasthiti Malla did make any royal palaces. From which royal building did he rule is not clear. Therefore, it seems that he also must have ruled from the same Thanthunim Durbar as his predecessors.

Silu Mahadev



In 1428 A.D. King Yakshya Malla came into power in Bhaktapur. He enlarged his country and encircled Bhaktapur city with moats and defense walls pierced with defense gates. Although there is no evidence of the construction of a Durbar by him, it is often mentioned by the historians that the famous Tripura Palace was erected during his reign. He is also credited as the founder of Yaksheswar temple now standing in the palace complex.



After the death of Yakshya Malla, in 1482, his son Raya Malla ascended the throne of Bhaktapur. But he was a very gentle king; his gentleness was exploited by his second brother Ratna malla and broke the country into two. Then he started to rule from Kantipur as an independent king from 1484AD. Onwards. In this way the greater Nepal valley having capital as Bhaktapur divided into two independent states-Bhaktapur and Kantipur.



Yachheswor Mahadev Temple



After that many kings like Pran Malla, Vishva Malla, and Jagajyoti Malla ruled from Bhaktapur Durbar but no significant evidences left about their contributions in Bhaktapur Durbar.



King Naresh Malla did some renovation work in the Taleju temple and added a couple of windows of sandal wood in Mul Chowk in 1637 AD.



Jagatprakash Malla, who ascended the throne of Bhaktapur in 1644A.Dmade a palace known as Vasantpur but unfortunately we do not know how the architecture of this building was? No documents give any information about its architectural from. He also extended Taleju Temple and established a temple dedicated to Bhavani Shankar near the western entrance of the Royal Palace, along with a mandap in the precinct of Mul chowk.





Jitamitra Malla became the king of Bhaktapur in 1672 A.D. his reign was very important from the art and architectural point of view. There was some sort of competition in constructing and decorating the royal palace complexes among the contemporary kings in the valley. An inscription in 1678 A.D. states that the royal palaces Thanathu Dubar with stone spouts, gardens, and courtyard were constructed by him. Also, he restored Kumari Chowk and established the images of Astamatrikas and gilded the roof of Taleju. He established the tympanum and offered the big bell to the Taleju. The intricately carved wooden tympanum above the main entrance to the Mul Chowk is also the contribution of Jitamitra Malla.



Jitamitra Malla was succeeded by an equally illustrious king Bhupatindra Malla in 1696 A.D. He is credited with the building of the grand palace with ninety nine courtyards and fifty five windows.At present, we can see only fifty five window palace and a few remaining courtyards among the ninety nine courtyards.Only half a dozen of courtyards (chowks) are exciting such as- Mul Chowk, Bhairav Chowk, Ita Chowk, Malati Chowk, Siddhi Chowk and Kumari Chowk.



Golden Gate



Bupatindra Malla constructed the Malati Chowk and established a golden spout. Also the Taleju temple was embellished with golden pinnacles after restoration of it. The rare example of Bhupatindra Malla’s contribution is the Fresco paintings in the fifty five windows palace.



These paintings are the depiction of different stories as narrated in Ramayana and Mahabharat. The central figure of the painting is of Viahvaroopa. This is one of the rarest wall paintings of Nepal. The stone images of Nara Singh, Hanuman and golden statue of his own are other examples of his contribution. In architectural field, in addition to the palace, another remarkable contribution is the Nyatapola temple erected in 1702 AD adjacent to the palace in Taumadhi Tole. This is the tallest Pagoda in Nepal and is also the landmark of the country which has been proved to be the great attraction of the tourist. Nobody would miss to praise its beauty and grandeur. This single monument could attract thousands of tourists each year. Another contribution is the temple of Bhairav just few meters away from the Nyatapola and was built a decade after the inauguration of Nyatapola.



After Bhupatindra Malla, his son Ranajit Malla ascended the throne in 1722AD. He was the last king of Bhaktapur. His contribution in the Durbar Square is the golden gate. It was built in 1753/54. The art work has been proved to be a master piece of reposes work. It has been praised by the international art critics as the jewel of the entire are works created in Asia during the period.



Narayan


BHAKTAPUR

Durbar Square. As you walk in, you cannot but be overcome by a feeling of inner harmony. Such is the art and architecture and the special layout here. The Palace of 55 Windows built during the period of King Bhupatindra Malla in 1754 situated to the left as you enter through the city gate, inspires admiration. The National Art Gallery is also housed inside. The palace entrance, the Golden Gate known as Sunko Dhoka in Nepali is a masterpiece in repousse art. In front of the palace building is a medley of temples of various designs. Amongst the three Durbar Squares in the Valley, the Durbar Square in Bhaktapur is the best preserved one. There is an entrance fee of Rs. 30 for SAARC nationals and Rs. 500 for other foreign visitors.




Taumadhi Square lies to the east of Durbar Square reached by a narrow brick-paved lane. The towering five-roofed Nyatapol temple presides over the square. The monument gracefully soars into the sky atop a five-story plinth. The stairway leading up to the temple is flanked by stone figures of deities and mythical beasts, each 10 times more powerful than the one immediately below.



Dattatreya Square takes its name from the Dattatreya temple dedicated to a three-headed combination of the Hindu deities Brahma, Bishnu and Shiva. If you want to experience the feel of the traditional urban layout of Bhaktapur, Dattatreya Square is it. Set in a maze of streets lined with richly ornamented houses, the square is famed for its many ornate Hindu monasteries known as Math. The National Woodworking Museum is also housed here and the Brass and Bronze Museum is across the street. The oldest structure in Bhaktapur was raised during the reign of the last Malla King, Yaksha Malla who ruled the Valley before it was divided into three Kingdoms amongst his three heirs.



Potter’s Square. A two-minute walk south of Durbar Square brings you to Bolachhen, also known as Potter’s Square because of the many potters seen here moulding wet clay into different kinds of earthen ware. It has a display of fresh pottery left out to dry in the open square. This place can be approached from Taumadhi Square. The elephant-headed Lord Ganesh is the patron of potters, thus the Jeth Ganesh temple in the square.



Siddha Pukhu, a pond dating back to the Lichhavi period, is better known as Ta-Pukhu, meaning big pond. Though situated right at the bus stop, it provides a serene atmosphere with its sashaying fish and the stone images of different Hindu and Buddhist Gods.



Surya Binayak is one of Kathmandu’s most popular pilgrimage spots, 12 kilometers east of the center. It has been positioned in such a way to catch the first rays of the sun in the morning. Situated in a thick forest to the south of Bhaktapur, it is a 20-minute walk from the trolley bus terminal. The temple, dedicated to the Hindu deity Ganesh (the Elephant headed God) is crowded with devotees especially on Tuesdays and Saturdays. It is also one of the favorite picnic spots offering elegant views of Bhaktapur and other attractive landscapes.



Thimi



Thimi (population 48,000) is a farming town situated 8 km east of Kathmandu on the way to Bhaktapur. Exquisite temples and other religious shrines dot its streets. It is known for its artistic masks and earthen pots, often seen spread out on the streets to dry in the sun. It can be called a traditional pottery locality with almost 80% of the population still involved in pottery. Handspun cotton cloth is another Thimi specialty.



Suggested Half-Day Itineraries



Sight-seeing can be done on foot in the city core areas; for outlying spots, hire a car or take the bus. Travel agencies in Kathmandu offer a variety of half-day and full-day guided tours. The following combinations of tourist sites make for a pleasant half-day of sight-seeing:



Kathmandu Durbar Square and Swayambhu

Kathmandu and Patan Durbar Squares

Kathmandu Durbar Square and Pashupatinath

Pashupatinath, Bouddhanath and Bhaktapur Durbar Square

Pashupatinath, Bouddhanath, Changu Narayan

Balaju and Budhanilkantha

Kirtipur, Chobhar and Dakshinkali





Bhaktapur Travel

Bhaktapur is in many ways the most medieval of the three major cities in the Kathmandu valley. Much of its glorious architecture dates from the end of the 17th century. The city is famous for its pagoda-style architecture. Tourists are more often attracted to the Hindu temples, pottery crafts, colourful markets and lively people of Bhaktapur.




Fast facts

Location 14 km east of Kathmandu

Other Names Bhadgaon or Khwopa

Known For Cultural and artistic achievements

Area Four square miles

Latitude 27.67°N

Longitude 85.43°E

Tourism Language English

Nearby Cities Kathmandu and Patan



Striking Features



Bhaktapur, as the names suggests, is a holy city with pagoda-style temples.

Bhaktapur is the third largest city in the Kathmandu valley.

Bhaktapur is also known by woodcarving artists, for it's cap known as Bhadgaon Topi, and for it's curd known by Nepalese as the `Bhaktapur ko Dahe' (meaning Curd made in Bhaktapur).

The markets in the city are very lively and colourful.



Places to Visit

Durbar Square

As you walk in, you cannot but be overcome by a feeling of inner harmony. Such is the art and architecture and the spacial layout here. The 15th-century Palace of 55 Windows, situated to the left as you enter through the city gate, inspires admiration. The National Art Gallery is also housed inside. The palace entrance, the Golden Gate, is a masterpiece in repousse art. In front of the palace building is a medley of temples of various designs. There is an entrance fee of Rs. 30 for SAARC nationals and Rs. 500 for other foreign visitors.



Taumadhi Square

It lies to the east of Durbar Square reached by a narrow brick-paved lane. The towering five-roofed Nyatapol temple presides over the square. The monument gracefully soars into the sky atop a five-story plinth. The stairway leading up to the temple is flanked by stone figures of deities and mythical beasts, each 10 times more powerful than the one immediately below.



Dattatreya Square

It takes its name from the Dattatreya temple dedicated to a three-headed combination of the Hindu deities Brahma, Bishnu and Shiva. If you want to experience the feel of the traditional urban layout of Bhaktapur, Dattatreya Square is it. Set in a maze of streets lined with richly ornamented houses, the square is famed for its many ornate Hindu monasteries known as Math. The National Woodworking Museum is also housed here. The Brass and Bronze Museum is across the street.



Potter’s Square

A two-minute walk south of Durbar Square brings you to Bolachhen, also known as Potter’s Square because of the many potters seen here moulding wet clay into different kinds of earthen ware. It has a display of fresh pottery left out to dry in the open square. This place can be approached from Taumadhi Square also. The elephant-headed Lord Ganesh is the patron of potters, thus the Jeth Ganesh temple in the square.



Siddha Pukhu

Siddha Pukhu, a pond dating back to the Lichhavi period, is better known as Ta-Pukhu, meaning big pond. Though situated right at the bus stop, it provides a serene atmosphere with its sashaying fish and the stone images of different Hindu and Buddhist gods.



Surya Binayak

Surya Binayak is one of Kathmandu’s most popular pilgrimage spots. Situated in a thick forest to the south of Bhaktapur, it is a 20-minute walk from the trolley bus terminal. The temple, dedicated to the Hindu deity Ganesh, is crowded with devotees especially on Tuesdays and Saturdays.





Bhaktapur Craft Paper Ltd.

Bhaktapur Craft Paper Community development through paper production was founded by UNICEF/Nepal in 1981. It has since been developed and expanded by his majesty's government of Nepal (HMGN) in collaboration with UNICEF - Nepal. The expanded project under the name of Bhaktapur Craft Paper Ltd.(BCP), has launched several community development programmes in different parts of Nepal, aiming specifically to improve the quality of life of the poor and underprivileged and enabling the craftsmen and their families to better their lives and revitalize the local economy.




At present, the BCP programmes cover the five district of Baglung, Parbat, Myagdi, Lamjung and Gorkha in the mid-west, and Bhaktapur in central region. BCP invests a substantial percentage of its profits into community development activities in these districts in the areas of water supply, sanitation and school support. BCP has been a model sustainable project, initiated by UNICEF, a self- sustained organization, and working in collaboration with the Small Farmers Development Programme/Agricultural Development Bank, The Department Of Forest and The Department Of Cottage And Small Industries. It has been turned and incorporated inti public ltd. company for its independant and ligal rntity in 2005. BCP has been registered in Nepal Government of Industry department keeping the name "Bhaktapur Craft Paper Ltd.".

Orientation and Arrival

Bhaktapur drapesacross an east-west fold in the valley, its southern fringe sliding down towards the sluggish Hanumante River. Owing to a long-term westward drift, the city has two centres (residents of the two halves stage a boisterous tug- of-war during the city's annual Bisket festival} and three main squares. In the west, Durbar Square and Taumadhi Tol dominate the post-fifteenth-century city, while Tachapal Tol presides over the older east end.




You'11 arrive by one of two routes. The handy trolley bus, departing from the National Stadium south of Kathmandu's GPO every fifteen minutes or so, drops you on the main road about ten minutes' walk south of town, as do the frequent Barhabise-bound buses from Kathmandu's City Bus Park. Arriving by minibus from the City Bus Park, you'11 be deposited near Sidha Pokhri, a five-minute walk west of Durbar Square. Local buses from Nagarkot terminate at Kamal Binayak, five minutes northeast of Tachapal; tourist buses from Nagarkot continue to the main intersection just north of Durbar Square.



Bhaktapur has no rikshaws and just a few resident taxis, but it's compact enough to be explored on foot One-speed bikes

DATTATREYA SQUARE

The Dattatreya Square is Bhaktapur’s third dazzling gem. The seat of royalty till the 15th century, the area still houses a great number of historic monuments including many wondrous Maths (residential mansions) and temples.




The Dattatreya Temple is the main attraction of the Square. Constructed by King Yaksha Malla, the giant three-storied temple is believed to have been built with the stem of a single tree. Having defied series of calamities, it still bears testimony to the incredible achievement made in those regal days of the Nepalese history.



The Wane Layaku complex, which lies to the south-western corner of the Dattatreya temple, is noted for Bhaktapur’s second Taleju shrine. Enclosed with old houses, the courtyard sees throngs of people, especially during the Mohani (Dashain) festival, when a rare Ghau-batacha (Water Clock) is put on public display. During the Malla Era, the water-clock was used by the then rulers and astrologers for fixing "propitious moments" for commencing and concluding various state and social ceremonies.



The Peacock Window, which is also called the "Mona Lisa of Nepal", is a rare masterpiece in wood. Dating back to the early 15th century, the unique latticed window has an intricately carved peacock in its center. The window adorns the Pujari Math which, with rows of exquisitely carved windows and doors, is equally appealing. The building presently houses the Woodcarving Museum. The museum has a rich collection of unique pieces in wood.



The Brass & Bronze Museum, housed in the historic Chikanpha Math, is the next highlight of the Square. It has a wide collection of bronze and brasswares including the ritual jars, utensils, water vessels, pots, spittoons and similar other household items.



Near the Dattatreya Square is the Wakupati Narayan Temple. Dedicated to Lord Vishnu, the two-storied structure is a unique specimen of pagoda architecture. Next to it is Bhaktapur’s second Pottery Square.



Besides Bhaktapur’s three well-acclaimed Squares, there are many other spots within the expanse where visitors can experience a lot more. The recently-restored Ta-Pukhu (Siddha Pokhari), Ancha-Pukhu, Khancha-Pukhu, Barahi Temple, Lokeswor Mahavihar, Nava Durga Temple, the Terra-cotta Windows at Tuchhimala and Nepal’s largest Shiva Lingum at Hanumanghat are some of Bhaktapur’s monumental glories which tourists visiting this ancient city simply do not like to miss.





For Further Information Contac:

Bhaktapur Municipality

Durbar Squae, Bhaktapur, Nepal.

Phone: 610310, 610096, 613043; Fax: 613206;

E-mail: bhaktapur@htp.com.np